• Home
  • Portfolio
  • The Newsletter
  • Prints
  • Available Work
  • About Matt
  • Custom Work
Matt Moberg
  • Home
  • Portfolio
  • The Newsletter
  • Prints
  • Available Work
  • About Matt
  • Custom Work
← Back to Prints

La Hora de Paz

canvas-(in)-12x12-wall-69af3884690e5.jpg
canvas-(in)-14x14-wall-69af38846a361.jpg
canvas-(in)-20x20-wall-69af38846a402.jpg
canvas-(in)-24x24-wall-69af38846a493.jpg
canvas-(in)-30x30-wall-69af38846a515.jpg
canvas-(in)-37x37-wall-69af38846a593.jpg
canvas-(in)-6x6-wall-69af38846a613.jpg
canvas-(in)-12x12-wall-69af3884690e5.jpg
canvas-(in)-14x14-wall-69af38846a361.jpg
canvas-(in)-20x20-wall-69af38846a402.jpg
canvas-(in)-24x24-wall-69af38846a493.jpg
canvas-(in)-30x30-wall-69af38846a515.jpg
canvas-(in)-37x37-wall-69af38846a593.jpg
canvas-(in)-6x6-wall-69af38846a613.jpg

La Hora de Paz

from $40.00

Every night during the weeks
of what the feds called "The Metro Surge" —
a phrase that sounds less like a public policy decision
and more like the name of a Monster Truck rally —
a 10 year old boy named José sat down at the piano.

The piano itself was not impressive.
It was old, and not in the romantic way people mean
when they want dust to sound holy.

It was old like survival.

It had arrived years earlier
through the kind of complicated journey
that most meaningful household objects take:

first owned by a retired church pianist in Richfield,
then purchased for fifty dollars on Facebook Marketplace,
then hauled up three flights of narrow apartment stairs
by José’s father and a neighbor named Darnell
who said halfway up the second landing:

“Man, if this kid don’t become Beethoven we’re all gonna be mad.”

By the time the Surge came,
the piano had a small crack along the wood near middle C.
One of the keys made a sound like a duck stepping on a lego.
Another key only worked if you pressed it
the way someone knocks on a teen's bedroom door,
already halfway apologizing for needing them.

Regardless, every night José played it,
and he treated it like a Steinway in Carnegie Hall.
He would crack his knuckles —
dramatically, like a tiny concert pianist who had
watched perhaps too many YouTube videos —
and then loudly announce:

“Bueno, todos relajen el cuerpo.
Ahora viene la parte tranquila del día.”

“Alright, everyone relax your bodies.
Now comes the peaceful part of the day.”

When I met him and his mom,
that part of the story felt almost unbearable to me:
a 10 year old boy carrying a felt need to
remind the grown-ups that
it's ok to come back to their own bodies again.

Still, it always seemed to work.
The moment José began to play,
his father would lift his eyes from the news
as though remembering there were other kinds of headlines.

His mother’s jaw would loosen
the way knots do when warm water finds them.

And Maribel—older, 13,
professionally unimpressed by most things,
would turn her phone face down
like someone closing a small door.

For a moment the room would sit there,
holding its breath the way rooms sometimes do
when something gentle is about to happen.

Then José would begin to play.

His songs were basic.
They were small. Careful.
Songs with more hope in it than confidence.
Songs that sounded, if songs can sound this way,
like someone smoothing the wrinkles from a blanket
before laying it over a sleeping child.

José doesn’t even know the names of all the chords.
He only knows which ones felt like shelter.

One sounded like soup simmering
while rain tapped on the fire escape.
One sounded like his mother finally sitting down
after carrying the whole day on her back.
One sounded like Abuelo tucking the quilt around his feet.
One sounded so much like tomorrow that it made his sister cry.

The piano — limping and imperfect as it was —
gathered all these sounds together
and laid them before these grown-ups
that were trying not to drown,
and in doing so, they became a kind of shore.

Years from now José may not remember every detail of the Surge. Memory is a strange carpenter like that. It removes the nails before the wood.

But he will remember this:

the room grew soft when the piano started to play.
His mother’s face grew lighter, measure by measure.
His father kept whispering "la hora de paz"
the way a priest might guard a fragile miracle.

And for 15 minutes every night,
the dark waited politely outside the door. Every purchase helps support Stand With Minnesota and community mutual aid across the Twin Cities.


• 1.25″ (3.18 cm) thick poly-cotton blend canvas
• Canvas fabric weight: 10.15 +/- 0.74 oz./yd.² (344 g/m² +/- 25g/m²)
• Fade-resistant
• Hand-stretched over solid wood stretcher bars
• Mounting brackets included
• Blank product sourced from the US, Canada, Europe, UK, or Australia

This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!

Size:
Quantity:
Add To Cart

Powered by Squarespace.